IK Multimedia - AmpliTube for iPhone/iPad

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iPhone、iPad、iPod touchのための究極のギター / ベース用アンプ / エフェクト＆レコーディング

アプリ

AmpliTube® for iOSは、バーチャルなギター　/　ベース用機材を自由に組み合わせて、リアルなサウンドで演奏することを可能にしてくれる、iPhone、iPad、iPod touch対応のギター / ベース用エフェクト＆アンプ・アプリです。

直観的に操作できる美しいグラフィック・ユーザー・インターフェイスを備えたAmpliTube for iOSは、オリジナル実機を忠実にモデリングしたギアの数々で、ギター / ベースのパフォーマンス・セットアップを自由に構築することができます。

AmpliTubeの新機能

バージョン4.14

Early Metal Collection

70年代〜90年代、そして今日に至るまで、メタル・サウンドを定義してきた、世代を超えたサウンドを手に入れましょう。Early Metal Collection には、3種類のアンプ（Brit 8000、JCA20H、MH-500 Metalhead）、3種類のキャビネット、3種類のストンプ（Power Grid、T-Rex Mudhoney、The Ambass'dor）が含まれています。

以下のギアが含まれます：

3機種のアンプ

Brit 8000
JCA20H
MH-500 Metalhead

3機種のキャビネット

4x12 Brit 8000
4x12 Closed Modern
4x12 MH-412SL

3つのストンプ

Power Grid
T-Rex Mudhoney
The Ambass'dor

Brit 8000

The Brit 8000 is based upon the early '80s JCM800, the amp that although most think of the Plexi’s as the defining tone of a pushed Marshall, in reality it’s the JCM800 that people are hearing. The JCM800 was the first departure from the Plexi format designed for players who desired a “hotter” front end and more control over the overall output volume. The result? More preamp overdrive and crunch at controllable volumes.

JCA20H

Officially Certified Jet City Amplification 333® JCA20H™ Model. Pure, simple and full of tube tone, JCA20H is a single-channel amp with absolutely no gimmicks or unnecessary features that might otherwise dilute the all-tube signal path. With full EQ control and separate Preamp and Master volumes, JCA20H can deliver tones from spanky clean through crunchy overdrive.

MH-500 Metalhead

Officially Certified MH-500 Metalhead™ Model. Designed from the ground up to provide the perfect amp for modern down-tuned and 7-string guitarists, with a searing gain and a punishing low end that is perfect for more agressive styles of Rock and Metal. Its solid-state power amp gives enough headroom for incredible note definition even when distorted, and the preamp has an unmatched amount of gain for lead players.

4x12 Brit 8000

Based on the Marshall® 1960 Lead Vintage Slanted 4x12" Cabinet equipped with G12-80.

4x12 Closed Modern

Based on Marshall® 4x12" Guitar Cabinet.

4x12 MH-412SL

Based on the Fender® MH-412SL 4x12" Closed Back Guitar Cabinet. Officially certified by Fender®.

Power Grid

Officially Certified Seymour Duncan® Power Grid Stomp Box Model. The Power Grid is a high gain, solid state distortion pedal capable of a myriad of tones thanks to a three-band active EQ section. It is perfect for all styles of rock. The pedal is designed to provide powerful overdrive and distortion suitable for all kinds of rhythm and lead playing thanks to five stages of discrete Class A circuitry. This raw horsepower is managed by a multi-element gain and volume control system that provides very fine control. The tone is further refined with three bands of active EQ. Each band allows for up to 12dB of boost or cut at selectable frequencies for maximum control. This allows you to create tones with a far greater degree of surgical precision than what’s possible with any distortion pedal with a traditional passive EQ.

T-Rex Mudhoney

Officially Certified T-Rex® Mudhoney Model. The T-Rex Mudhoney is designed for those looking for an in-your-face wall of sound jumping out of the speakers. The boost button and the tone knob give you the ability to dial in any sound you like from ultra fuzz to smooth jazz sounds. With the boost function bypassed, the Mudhoney delivers moderate gain and a rich, smooth sound that many jazz guitarists prefer. The boost button engages a high gain circuit for a more aggressive sound.

The Ambass'dor

Based on Marshall® Guv'Nor. This pedal is a model of a beloved '80s-era distortion pedal by a company known for making amps with amazing distortion. This model packs a whole powerful amp into a single stomp box.

Early Metal Collectionは、アプリ内課金でご購入いただけます。また、Vintage Collectionは、2022年までに発売されたすべてのギア・モデルを収録するアプリ内課金「All-In Bundle Collection 2022」に含まれます。同様に、Vintage Collectionに含まれるアンプとエフェクターは、All-Amps Collection 2022とAll-FX Collection 2022にそれぞれ含まれます。

夢のセットアップを実現

AmpliTube for iOSでは、最大6台のストンプボックス（アンプの前に4台、アンプの後に2台）、アンプ・ヘッドとスピーカー・キャビネット、そして最大2本のマイクロフォンを組み合わせてギター・セットアップを構築することができます。ストンプボックスの配列や、アンプとキャビネットの組み合わせ、マイクの設置は自由自在。まったくオリジナルなセットアップを構築することさえ可能です。

高品位なサウンド、美しいGUI

AmpliTube for iOSは、オリジナルのモデルを忠実に再現した、美しいグラフィックのユーザー・インターフェイスを備えています。しかしながら、見かけ倒しではありません。AmpliTube for iOSは、数々のプロフェッショナルに愛用され、数々の録音で実際に使用されてきたMac/PCバージョンのAmpliTube 3 Custom Shopと同じサウンド・エンジンを搭載しているのです。ですから、そのサウンドを一度でも聴いていただければ、なぜ高い人気と評価を得てきたのか、ご理解いただけることでしょう。

AmpliTube for iOSとAmpliTube for Mac/PCのサウンドをぜひ聴き比べてください。

細部にまでこだわるIKの開発陣のことですから、どのギアも、グラフィックの見た目ばかりでなく、オリジナル実機が持つサウンドの特性がその微妙なニュアンスに至るまで丁寧にモデリングされたものばかりです。

AmpliTubeをステージへ

AmpliTubeの新たなライブ・モードでは、ステージ上で必要な全ての情報が一目でわかるようレイアウトされています。

チェーン全体をしっかりと見渡すことができ、エフェクトのON / OFFは分かりやすくインジケーターで示され、またプリセットを簡単に表示して切り替えることもできます。

ライブ・モードはタッチで簡単に有効にできますので、思う存分ステージでのパフォーマンスに集中できます。

あなたはAmpliTubeの世界クラスのスタジオ・サウンドを得ながらにして、ペダルボード同様のライブを行うことができるのです。

思いのままにコントロール

AmpliTubeは様々なコントローラーとの連帯も簡単に行うことができます。例えばIKの革命的USBペダルボード・コントローラー＆オーディオ・インターフェースのiRig Stomp I/Oなら、エフェクトのON / OFF、プリセット切り替えやセッティングの調整を従来のペダルボードと同じフィーリングで行うことができます。iRig BlueBoardなら、同様にエフェクトのON / OFF、プリセット切り替えをワイヤレスで行うことができます。AmpliTubeはMIDIに対応していますので、iRig MIDI 2のようなIKのMIDIインターフェースを用いて外部コントローラーを接続し、わずか数回のタップで簡単にパッチやパラメーターにアサインすることもできます。

iRig Stomp I/O: Greg Koch Live from the IK Amp Room

iRig Stomp I/O: Greg Koch Live from the IK Amp Room

憧れのギア・モデルの数々

AmpliTube for iOSには、18機種のストンプボックス・エフェクト（Overdrive、Delay、Chorus、Wah、Flanger、Octave、Envelope Filter、Phazer、Fuzz、Noise Filter、Swell、Electric Flanger、Crusher、Dcomp、FeedBack、Phazer 10、Volume、そしてDistortion*）、8機種のアンプ（Clean、Crunch、Lead、Metal、Bass、British Copper 30TB、Vintage Metal Lead、360Bass Preamp）と、それぞれのアンプにマッチするスピーカー・キャビネット10機種、そして2機種のマイクロフォン（Dynamic 87とCondenser 87）の計37機種のギア・モデルが装備されています。（*Distortionはユーザー登録により制限解除。）

360Bass
Based on Acoustic® 360™ bass preamp

British Copper 30 TB
Based on Vox® AC30™ - copper panel

Vintage Metal Lead
Based on Marshall® JMP100™ head

Clean
Based on Fender® blackface Deluxe Reverb®

Crunch
Based on Vox® AC30™

Lead
Based on Marshall® JCM800

Metal
Based on Mesa/Boogie® Triple Rectifier® (Lead Channel)

Bass
Based on Ampeg® SVT classic bass head

Crusher

Dcomp

Electric Flanger

Feedback

Phazer 10

Swell

Chorus

Delay

Distortion

Envelope Filter

Flanger

Fuzz

Octave

Overdrive

Phazer

Wah

最初はこれで十分かもしれません。しかしながら、AmpliTubeの最大の特徴の1つは、膨大なギア・モデルのライブラリーで、このバーチャルなギター機材庫を拡張することができるという点です。

アプリ内課金で追加可能なギア・モデルには、MESA/Boogie®、Orange®、Fender®、ENGL®など、古今東西の名機のメーカー公認ギア・モデルがラインアップされています。さらに、Brian May Collection、Dimebag Darrell CFH、AmpliTube SlashやAmpliTube Jimi Hendrix™のような名ギタリストが実際に使用している（使用していた）シグネチャー・モデルの公認ギア・モデルも含まれています。こうしたギア・モデルは、ギター・ショップの棚のようにアイコン表示されますから、視覚的に選択し、オリジナルなギター・セットアップを構築することができるのです。

3D表示のCab Room機能

AmpliTubeでは、音作りの可能性に制限はありません。Cab Roomでは、プロの録音スタジオのように3D表示されるアンプ、スピーカー・キャビネットと、最大2本のマイクを組み合わせて、その位置を自由に設定可能です。

アンプとスピーカー・キャビネットの組み合わせも自由ですから、マイクのタイプや、マイク位置の違いによる微妙な響きの違いなど、自由に探求することができます。

Cab Room機能についてさらに詳しく

ポータブルなレコーディング・スタジオ

AmpliTubeには、標準で1トラックのレコーダー機能が装備されており、アプリ内課金により、マルチトラック同時録音も可能な8トラック・レコーダーに拡張可能です。レコーディング・ミキサーの各チャンネルには、ミュート、ソロ、パン、レベル、チャンネルごとのエフェクト・センドなどが装備されています。

さらに、同じくアプリ内課金により、DAWスタイルの波形表示をベースにした編集機能も追加することができます。完成したミックスは、WAV形式や.m4a形式のファイルとして書き出したり、共有したりすることが可能です。

すなわち、AmpliTubeだけで、演奏から、作曲、アレンジ、録音、ミックスに至るまで、1つの作品を完成させることさえ可能なのです。

レコーダー / DAW機能についてさらに詳しく

あなた専属のセッション・ドラマー

1人で演奏するのは味気ないですか？AmpliTubeには、Loop Drummer機能が装備されています。イントロ、フィルなども含む、伴奏用のドラム・トラックを簡単に作成することができます。作成したドラム・トラックはレコーダー / DAWセクションにコピーすることが可能です。

あらかじめロック・スタイルのループが用意されていますが、アプリ内課金のStyle Pack（各パックそれぞれに64ループを含みます）により、ロック、ブルーズ、カントリー、ポップ、ファンク、パンク、メタル、エレクトロなど、さまざまな音楽スタイルのループを追加することができます。Loop Drummerのライブラリーは、何と総計500以上ものドラム・ループを擁する膨大なものです。

Loop Drummer機能についてさらに詳しく

4トラックのルーパー機能

オリジナルなループの録音に対応したルーパー機能は、最大4つのループまで同時再生が可能です（アプリ内課金により追加可能）。オリジナルのフレーズやリフ、コードなどを重ねて録音し、ループにあわせてギターを演奏することができます。さらに加えて、このループは書き出し可能ですから、友人やバンド仲間とループを交換したり、共有することが可能です。

Looper機能についてさらに詳しく

iOSアプリではもっとも高精細なチューナー機能も搭載

AmpliTubeには、極めて精度の高いクロマティック・チューナーとメトロノーム機能が標準で装備されています。しかし、それだけではありません。アプリ内課金により UltraTuner を追加することが可能なのです。UltraTunerは、これまでに発売されたどんなチューナー・アプリよりもすばやく、高精細に動作するチューニング・エンジンを採用したモバイル・チューナーです。

独自のデュアル解析処理エンジンにより、1/100セントという、大型のストロボ・チューナーさえ凌駕する精度でピッチを検知します。UltraTunerは、ギターやベースだけでなく、ボーカルや弦楽器、管楽器などでも正確なピッチで演奏するためのトレーニングにも最適でしょう。

UltraTunerについてさらに詳しく

Inter-App AudioやAudiobusにも対応

他のアプリとの連携にも抜け目はありません。AmpliTubeは、iOSのアプリ間の連携機能も充実しています。iOS 8以降でサポートされたAppleのInter-App Audioにも対応していますから、Apple GarageBandのようなお気に入りのアプリで、AmpliTubeのアンプやストンプボックスを活用することができるのです。

AmpliTubeは、別売のサード・パーティのアプリ、 Audiobus にも対応しています。最大3つのアプリの間でオーディオのルーティングが設定できるこのアプリを使えば、他のアプリから出力される音声をAmpliTubeでエフェクト処理したり、録音したりすることが可能です。

お気に入りのリフをコピーする

ひとたびお気に入りのサウンドを見つけたら、セッションを始めてみたくなるのが人の常。AmpliTubeには、スピード・トレーナー機能も備えた「Song」セクションが装備されており、iOSデバイスのミュージック・ライブラリーに保存されているお気に入りの楽曲の音楽ファイルをAmpliTubeにインポートして、一緒に合わせて演奏することができます。Wi-FiやiTunesのファイル共有機能を使ってインポートすることも可能です。スピード・トレーナー機能では、読み込んだ音楽ファイルのピッチを変えることなく再生スピードを変更することが可能ですから、コピーや練習に便利でしょう。NO VOICE機能でセンターに定位した音像をキャンセルすることもできますから、読み込んだ音楽ファイルに合わせて演奏すれば、気分は大スター。

主な機能

6台のストンプ・エフェクト（アンプの前に4台、後に2台）、アンプ、スピーカー・キャビネット各1台、そして最大2本のマイクを自由に組み合わせてセットアップを構築可能。
8機種のアンプ、10機種のキャビネット、18、2機種のマイクなど、iOSアプリとしては最大規模の計 37機種のギア・モデルを装備。
AmpliTube 3 Custom Shop for Mac/PCと同等のDSPエンジンを搭載。
3Dでのキャビネットとマイク設置が可能なCab Room機能。
MESA/Boogie®、Orange®、Fender®、ENGL®などのメーカー公認ギア・モデル、Dimebag Darrell CFH、AmpliTube SlashやAmpliTube Jimi Hendrix™コレクションなどのアーティスト公認シグネチャー・ギア・モデルをアプリ内課金により追加可能。
一目でチェーン全体を見渡すことができ、簡単に必要なパラメーターへアクセス可能なライブ・モード
2トラックのレコーダー機能を装備（アプリ内課金によりマルチトラック同時録音も可能な8トラック・レコーダーに拡張可能）。
DAWスタイルのレコーディング / 編集が可能なStudio機能（アプリ内課金により追加可能）。
Loop Drummer機能によりドラム・トラックを作成可能（アプリ内課金により音楽スタイルの追加が可能）。
ストンプ・エフェクトは、アンプの前に4台、後に2台、ドラッグ＆ドロップで設置可能。

iOSアプリとしては最も高精細なUltraTunerアプリ同等のチューナー機能（アプリ内課金により追加可能）。
パワフルな4トラックのルーパー機能（アプリ内課金により追加可能）。
録音したデータは、オーディオ・ファイル（WAV/m4A）として、メール、SoundCloud、FTP、iTunes経由で書き出し、共有が可能。
iOSデバイスのミュージック・ライブラリーまたはコンピュータから伴奏用のオーディオ・ファイルをインポート可能。
リード・ボーカルやギター・ソロの音量を抑えるNO VOICE機能。
効率的なプリセット管理や、ギアのブラウジングを可能にしてくれるナビゲーション機能。
クロマティック・チューナーとメトロノームを装備。
AudiobusとInterApp Audioに対応。
InterApp Audio機能を含むApple iOS 8移行に対応。
iPhone版とiPad版の間でプロジェクトの共有が可能。
MIDIコントロールに対応。
iRig Stomp I/OやiRig BlueBoardとシームレスに対応し、ステージ上で簡単にコントロール可能
無償のCSバージョン（旧FREEバージョン）もご用意。

IKのインターフェイス / コントローラーとの相性は抜群

iPhone、iPad、Mac、PCにギター / ベースを接続し、AmpliTubeをコントロールするには、IK MultimediaのインターフェースとMIDIコントローラーをお使いください。

Over 100 pieces of real gear

Right from the start, you get 18 creative stompbox effects (Crusher, Dcomp, Electric Flanger, Feedback, Phazer 10, Swell, Delay, Fuzz, Overdrive, Wah, Envelope Filter, Chorus, Flanger, Phaser, Octave, Noise Filter, Volume and Distortion), 8 amplifiers (360Bass, British Copper 30 TB, Vintage Metal Lead, Clean, Crunch, Lead, Metal and Bass), 10 speaker cabinets and 2 microphones (Dynamic 57 and Condenser 87).

And did we mention that it sounds amazing? That's because every piece of gear in AmpliTube for iOS uses the same high-definition digital signal processor (DSP) as AmpliTube for Mac and PC. This DSP is so advanced that it's considered an industry benchmark.

This DSP also applies to the massive library of expansion content that you can use to augment your AmpliTube experience. There's an entire world of gear waiting for you inside AmpliTube, all you have to do is dive in. Its intuitive carousel system and ultra-realistic graphics make the whole "checking out new gear" experience as fun and effortless as walking into your local guitar store. The only difference is that you dont have to hear a bunch of jerks mangling their way through "Stairway to Heaven" while you browse. How's that for technological progress?

You will be amazed by the comprehensiveness of AmpliTube's expansion content. We've got a selection of droolworthy gear from some of the most respected brands in the business: MESA/Booogie®, Orange®, Fender®, ENGL®, Soldano®, Marshall® — you name it, we've probably got it. And if we don't, you can be sure that we're actively working on adding it soon. We've also got killer artists collections to choose from that let you act out your guitar god fantasies with the exact rigs favored by such legends as Joe Satriani, Brian May, Dimebag Darrell, Slash and Jimi Hendrix. You can get entire collections or individual models like the MESA/Boogie® Triple Rectifier, ENGL® Powerball, the T Rex Engineering® "Moller" Classic overdrive and more. Wanna shred like the pros? AmpliTube gives you the gear; the rest is up to you.

And once you've purchased a piece of gear, it's yours. You can use iCloud to transfer your purchased gear between versions and devices, such as from AmpliTube CS (FREE) to AmpliTube LE or from your iPad to your iPhone (limited to 10 device transfers per user).

Amplifiers

Red Pig
Based on Marshall® Major™ amp head

Brit Valve Pre
Based on Marshall® JMP-1™ tube preamp

Brit 8000
Based on Marshall® JCM800™ amp head

Brit 9000
Based on Marshall® JCM900™ amp head

Brit Silver
Based on Marshall® Jubilee™ amp head

British Copper 30 TB
Based on Vox® AC30™ - copper panel

Vintage Metal Lead
Based on Marshall® JMP100™ head

Clean
Based on Fender® blackface Deluxe Reverb®

Crunch
Based on Vox® AC30™

Lead
Based on Marshall® JCM800

Metal
Based on Mesa/Boogie® Triple Rectifier® (Lead Channel)

Metal 150
Based on Peavey® 5150™ head

Metal W
Based on Randall® Warhead 300™

sld 100
Based on Soldano® SLO-100 head

360Bass
Based on Acoustic® 360™ bass preamp

Bass
Based on Ampeg® SVT classic bass head

Green BA250
Based on Trace Elliot® AH250™ Head

SVX-500
Based on Ampeg® BA500® Model

SVX-CL
Based on Ampeg® SVT-CLASSIC® Model

SVX-VR
Based on Ampeg® SVT-VR® Model

SVX-4B
Based on Ampeg® V-4B® Model

SVX-15N
Based on Ampeg® HERITAGE B-15N® Model

SVX-15R
Based on Ampeg® B-15R® Portaflex “Flip Top” Model

SVX-PRO
Based on Ampeg® SVT-4 PRO® Model

SilverTwelve
Based on Silvertone® Twin Twelve 1484

JH 1200
Based on the Sunn® 1200S

HiAmp
Based on Hiwatt® DR103™ Amp

Jazz Amp 120
Based on Roland® JC-120™

Mark III
Officially Certified
Mesa Boogie® Mark III™ Combo Model

Mark III - back side
Officially Certified
Mesa Boogie® Mark III™ Combo Model - back side

Mark IV
Officially Certified
Mesa Boogie® Mark IV™ Combo Model

Mark IV - back side
Officially Certified
Mesa Boogie® Mark IV™ Combo Model - back side

Dual Rectifier
Officially Certified
Mesa Boogie® Dual Rectifier® Head Model

Dual Rectifier - back side
Officially Certified
Mesa Boogie® Dual Rectifier® Head Model - back side

Triple Rectifier
Officially Certified
Mesa Boogie® Triple Rectifier® Head Model

Triple Rectifier - back side
Officially Certified
Mesa Boogie® Triple Rectifier® Head Model - back side

TransAtlantic TA-30
Officially Certified
Mesa Boogie® TransAtlantic® TA-30 Combo Model

’57 Custom Twin-Amp™
Officially Licensed '57 Custom Twin-Amp™ Model

’57 Custom Pro-Amp
Officially Licensed '57 Custom Pro-Amp Model

’57 Custom Deluxe™
Officially Licensed '57 Custom Deluxe™ Amp Model

’57 Custom Champ®
Officially Licensed '57 Custom Champ® Amp Model

’57 Bandmaster™
Officially Licensed '57 Bandmaster™ Amp Model

’53 Bassman®
Officially Licensed '53 Bassman® Amp Model

’65 Super Reverb®
Officially Licensed '65 Super Reverb® Amp Model

Twin Reverb
Officially Licensed '65 Twin Reverb™ Amp Model

Super-Sonic
Officially Licensed Super-Sonic™ Amp Model

Pro Junior
Officially Licensed Pro Junior™ Amp Model

Bassman
Officially Licensed '59 Bassman™ LTD Amp Model

Deluxe Reverb
Officially Licensed '65 Deluxe Reverb™ Amp Model

MH-500 Metalhead
Officially Certified MH-500 Metalhead™ Amp Model

AD200
Officially Certified Orange® AD200B MK 3™ Head Model

AD30
Officially Certified Orange® AD30TC™ Combo Model

OR50
Officially Certified Orange® OR50H™ Head Model

Rockerverb 50
Officially Certified Orange® RockerVerb 50 MKII™ Head Model

Thunderverb 200
Officially Certified Orange® Thunderverb™ 200 Head Model

Tiny Terror
Officially Certified Orange® Tiny Terror™ Head Model

Dual Terror
Officially Certified Orange® Dual Terror™ Head Model

Powerball
Officially Certified Engl® Powerball Head Model

E650
Officially Certified Engl® E650 Head Model

JCA20H
Officially Certified Jet City Amplification 333® JCA20H™ Head Model

JCA100H
Officially Certified Jet City Amplification 333® JCA100H™ Head Model

V3M
Officially Certified Carvin® V3M™ Head Model

Z Wreck
Officially Certified Dr. Z® Z Wreck Head Model

MB 150 S
Officially Certified Gallien-Krueger® MB150™ Model

Satch VM
Based on the Marshall® JVM410HJS

SJ50
Based on the Peavey® 5150

Boston 100
Based on the Tom Scholz Rockman® X100

BM 30
Based on the classic triple VOX® AC30™ setup

BM DK
Based on custom amp by John Deacon

Darrell 100
Based on Randall® RG 100 ES

Jazz Amp 120 CFH
Based on 1986 Roland® JC-120™

AFD 100
Officially Certified Slash-Marshall® AFD100

JCM Slash
Officially Certified Slash-Marshall® JCM SLASH 2555SL

JH Dual
Based on Fender® Dual-Showman™

JH Gold
Based on Marshall® JTM 45™

Stomp Effects

The Ambass'dor

Crusher

Dcomp

Electric Flanger

Feedback

Phazer 10

Swell

Chorus

Delay

Distortion

Envelope Filter

Flanger

Fuzz

Noise Filter

Octave

Overdrive

Phazer

Wah

Big Pig

Compressor

Limiter

Metal Distortion

Parametric EQ

Reverb

Six Band Graphic_EQ

Wharmonator

X-Flanger

Acoustic Sim

Bass Octaver

Bass OD

Opto Tremolo

EP Tape Echo

Volume

Fender Blender™
Officially Licensed
Fender Blender™ Model

Fender Compressor
Based on Fender
Cyber-Twin™ SE Compressor

Fender Overdrive

Fender Phaser
Officially Licensed
Fender Phaser Model

Fender Tape Echo
Based on Fender
Cyber-Twin™ SE Tape Echo

Moller
Officially Certified
T-Rex® Mudhoney Model

Moller
Officially Certified
T-Rex® Møller Model

Replica
Officially Certified
T-Rex® Replica Model

OCD
Officially Certified
Fulltone® OCD Model

Contour Wah
Officially Certified
Morley® Contour Wah Model

Power Grid
Officially Certified
Seymour Duncan® Power Grid Model

Shape Shifter
Officially Certified
Seymour Duncan® Shape Shifter Model

Pinnacle Deluxe
Officially Certified
Wampler® Pinnacle Deluxe Model

Satch Wah
Based on
Vox® Big Bad Wah

Satch Distortion
Based on Joe’s personal
BOSS® DS-1

Satch Overdirve
Based on early ‘80s
Japanese-made BOSS® OD-1

Tube Overdrive
Based on Joe’s personal
Chandler® Tube Driver

Satch Octave
Based on a traditional
Fulltone® Ultimate Octave

30
Based on a traditional
analog 30-band Graphic EQ

Red Special
Based on
Brian May’s guitar

Treble Booster
Based on
KAT® Treble Booster

May Wah
Based on a rackmount
Dunlop® Cry Baby

FOX Phaser
Based on
fOXX® Foot Phaser

30
Based on a traditional
analog 30-band Graphic EQ

Star Gate
Based on a
classic Noise Gate

6 Band EQ
Based on
MXR® 6 band EQ

Pre EQ 3
Based on
Furman® PQ-3

Dime Wah
Based on Dunlop®
Cry Baby® GCB95

Flanger Doubler
Based on
MXR® Flanger Doubler

Dime Noise Gate
Based on
Rocktron® Hush IIB

/Delay
Based on
BOSS® DD-3

Booster
Based on MXR® CAE
MC401Boost/Line Driver

Gate
Based on
MXR® Smart Gate®

Octo Blue
Based on MXR®
Blue Box™ Octave Fuzz

Wah Dist
Based on Dunlop®
Slash Signature Wah SW95

X-Chorus
Based on
MXR® M134

Fuzz Age
Based on
Arbiter® Fuzz Face™

Octa-V
Based on
Roger Mayer® Octavia™

Uni-V
Based on
Univox® Uni-Vibe™

Wah 46
Based on
Vox® Wah V846™

Monster Booster

Obsession

Surfer

Sustainer

Metal Wah

Echo Trip

Highway Drive

The Shaker

Choir

DeEsser

Double

Morph

PitchFix

Mic it in the Cab Room

Imagine yourself walking into a store containing every speaker cabinet from every amp you’ve ever played though. Now imagine swapping out the cabinets — even from the combos — without the use of stagehand labor or a chain saw. You’ve just entered the new AmpliTube “Cab Room” and you’re going to love what it can do for your tone.

Cabinets galore

First, you will notice that we’ve already mic’d the matching cabinet for you.

You can use that cabinet, after all it’s what the manufacturer wanted you to do, or you can select a completely different cab from a wide range of installed amps.

Want to hear what Slash’s Marshall head sounds like with a Fender Deluxe Reverb single 12”? No problem! Mix and match until your ears and tone pleasure center rejoice! The combinations of what you can do are endless.

AmpliTube 4 for iPad, iPhone, iPod touch

3D mic placement

Walk into any recording studio and what do you see in front of the guitar cabinet? That’s right — microphones. Engineers and players are constantly tweaking mic selection and placement trying to find that “sweet spot” that really makes the difference between good sound and great sound.

Here’s where the magic comes in: In the new Cab room, we’ve replicated that process allowing you to play around with microphone placement in a three dimensional space, just like in the studio. You can freely move microphones from the dust cap to the edge of the speaker, and experiment with placing microphones at varying distances from the cabinet. You can mix the amount of sound from each mic with an intuitive slider, plus you can choose from 18* total available high-end studio mics.

Pure tonal nirvana

Go ahead and mix it up. You’ll be amazed at the different sounds you can get with just a few tweaks of a mic stand, the right cab for the job and the perfect mic selection.

Get the speaker tight, then mic it right. That’s the name of the “sweet spot” platinum tone game.

Cabinets

1x12"
Based on Fender® blackface Deluxe Reverb® Cabinet

2x12"
Based on Vox® AC30™ Cabinet

2x12" GBV
Based on Vox® AC30™ Cabinet

4x12" RED
Based on Marshall® Major 4x12” slanted cabinet loaded with T75 speakers

4x12" B30
Based on Marshall® 1960A Lead Vintage 4x12” slanted cabinet loaded with V30 speakers

4x12" B90
Based on Marshall® 1960 Lead Vintage 4x12” slanted cabinet loaded with T75 speakers

4x12" Brit 8000
Based on the Marshall® 1960 Lead Vintage Slanted 4x12” Cabinet equipped with G12-80 speakers

4x12" Closed Modern
Based on the Marshall® 4x12” Cabinet

4x12" SLV
Based on Marshall® 2551A 4x12” slanted cabinet loaded with T75 speakers

4x12" A
Based on Marshall® 4x12" Cabinet with "Greenback" speakers

4x12" B
Based on Mesa/Boogie® 4x12" Rectifier® Cabinet

4x12" T1
Based on Mesa/Boogie® 4x12" Cabinet

4x12" PV
Based on Peavey® 5150™ 4x12" Cabinet

4x12" MM1
Based on Marshall® JCM800™ 4x12" Cabinet

1x15"
Based on Ampeg B15R™ 1x15" Cabinet

8x10" E
Based on Ampeg® SV-T810E® 8x10" Cabinet

1x18" HB
Based on Acoustic® 360 Horn Bass Cabinet

8x10" SVX
Based on Ampeg® SVT-810 AV® 8x10" Cabinet

2x12" SVX
Based on Ampeg® SVT-212 AV® 2x12" Cabinet

1x15" SVX
Based on Ampeg® HERITAGE B-15N® 1x15" Cabinet

1x15" B
Based on Ampeg® B-15R® Portaflex “Flip Top” 1x15" Cabinet

4x10" SVX
Based on Ampeg® SVT-410H® 4x10" Cabinet

4x10"+tw TE Bass
Based on Trace Elliot® 4x10 8x10" Cabinet

2x10" SVX-500
Based on Ampeg® BA500® 2x10" Cabinet

8x10" SVX-810E
Based on Ampeg® SV-T810E® 8x10" Cabinet

8x10" SVX-810E
Based on the Silvertone® 2x12” Guitar Cabinet

2x15 Closed B J130
Based on the Fender® Bassman® 2x15” Cabinet

4x12 HiAmp
Based on Hiwatt® 4x12 Guitar Cabinet

2x12 JP Jazz
Based on the cabinet section of the Roland® JC-120™ 2x12 Combo Guitar Amplifier

1x12" Mark III
Officially Certified
Mesa Boogie® Mark III™ 1x12" Combo Cabinet

1x12" Mark IV
Officially Certified
Mesa Boogie® Mark IV™ 1x12" Combo Cabinet

2x12" Rectifier
Officially Certified
Mesa Boogie® Recto® 2x12" Horizontal Cabinet

2x12" TA30
Officially Certified
Mesa Boogie® TransAtlantic® TA-30 2x12" Combo Cabinet

4x12" Rectifier
Officially Certified
Mesa Boogie® Recto® 4x12" Traditional Slant Cabinet

2x12" FTC
Officially Licensed '57 Custom Twin-Amp™ 2x12” Cabinet

1x15" FCP
Officially Licensed '57 Custom Pro-Amp 1x15” Cabinet

1x12" FCD
Officially Licensed '57 Custom Deluxe™ 1x12” Cabinet

1x8" FCC
Officially Licensed '57 Custom Champ® 1x8” Cabinet

3x10" FB
Officially Licensed '57 Bandmaster™ 3x10” Cabinet

1x15" FB
Officially Licensed '53 Bassman® 1x15” Cabinet

4x10" FSR
Officially Licensed '65 Super Reverb® 4x10” Cabinet

2x12" FT
Officially Licensed
'65 Twin Reverb® 2x12” Open Back Cabinet

1x12" FS
Officially Licensed
Super-Sonic™ 1x12” Cabinet Model

1x10" FP
Officially Licensed
Pro Junior™ 1x10” Open Back Cabinet

4x10" FB
Officially Licensed
'59 Bassman™ 4x10” Open Back Cabinet

1x12" FD
Officially Licensed
'65 Deluxe Reverb™ 1x12” Open Back Cabinet

4x12" MH-412SL
Officially Licensed MH-412SL 4x12” Cabinet

4x12" PPC
Officially Certified
Orange® PPC412 4x12" Cabinet

1x12" PPC
Officially Certified
Orange® Tiny Terror™ 1x12" Combo Cabinet

2x12" PPC
Officially Certified
Orange® PPC212 2x12" Open-Back Cabinet

2x12" AD30
Officially Certified
Orange® AD30TC™ 2x12" Combo Cabinet

1x15" OBC
Officially Certified
Orange® OBC115 1x15" Cabinet

4x12" STD
Officially Certified
Engl® E 412 4x12" Standard Cabinet

4x12" XXL
Officially Certified
Engl® E 412 PRO XXL 4x12" Cabinet

2x12" V3M
Officially Certified
Carvin® 212V 2x12" Cabinet

2x12" Z Wreck
Officially Certified
Dr. Z® Z Wreck 2x12" Cabinet

1x12 MB 150 S
Officially Certified
Gallien-Krueger® 212V 2x12" Cabinet

4x12" SG
Based on ’69 Marshall® 4x12
equipped with Greenback Celestion™ speakers

4x12" s60
Marshall® 1960B 4x12
equipped with G12T-75 Celestion speakers

Boston
Based on the cabinet emulation section of the Rockman X100

1x6" BM
Based on custom cab by John Deacon

2x12" BM1
Based VOX® AC30™ 2x12
equipped with Celestion™ Alnico Blue speakers

2x12" BM2
Based VOX® AC30™ 2x12
equipped with Celestion™ G12H Anniversary speakers

4x12" CFH
Based on Randall® 412 JB 4x12" Cabinet

2x12" CFH
Based on Roland® JC-120™ 2x12" Cabinet

4x12" ASL
Officially Certified
Slash-Marshall® 1960AV Cabinet

4x12" BSL
Officially Certified
Slash-Marshall® 1960BV Cabinet

2x15" J
Based on Fender® Dual Showman™ 2x15" Cabinet
equipped with J.B.Lansing D130F™ speakers

4x12" J
Based on Marshall® 4x12" Cabinet
equipped with J.B.Lansing® D120F™ speakers

Microphones

Bottle 563
Based on
Neumann® CMV-563

Condenser 12
Based on
AKG® C12

Condenser 67
Based on
Neumann® U67

Condenser 84
Based on
Neumann® KM84

Condenser 87
Based on
Neumann® U87

Condenser 170
Based on
Neumann® TLM 170

Condenser 414
Based on
AKG® C414

MD1b-FET
Based on
Groove Tubes® MD1b-FET

Tube VM
Based on
Brauner® VM1

Dynamic 20
Based on
Electro-Voice® RE20™

Dynamic 57
Based on
Shure® SM57™

Dynamic 421
Based on
Sennheiser® MD421

Dynamic 441
Based on
Sennheiser® MD441

Dynamic 609
Based on
Sennheiser® MD609

Vintage_Dynamic 20
Based on
Electro-Voice® RE20™

Ribbon 121
Based on
Royer® R121

Ribbon 160
Based on
Beyerdynamic® M160

Velo-8
Based on
Groove Tubes® VELO-8

Your recording studio - always with you

You're on the go. You've got an idea. You want to get it down. But how?
The answer is in AmpliTube's built-in recording features. AmpliTube comes with a single-track recorder that can be expanded in two big ways via in-app purchase.

The first is 8-track simultaneous audio recording with master effects.
The second is Studio, a DAW-style waveform-editing suite.

When you have both enabled, AmpliTube transforms your mobile device into a fully mobile professional recording studio that has everything you need to make complete music productions while on the go.

Make a record

The AmpliTube recorder provides you with up to 8 channels of simultaneous audio recording which means you can plug in your iRig Pro Duo or other class compliant multi-channel USB audio interface and record a duo or your whole band without leaving AmpliTube.

Touching the “Mixer” button in the bottom control bar accesses the Recorder/Mixer section. There’s a pre-roll feature that lets you set two measures of count-in before you start recording so you can lock onto the tempo and nail your part right from the downbeat. The recorder offers 8 available tracks for recording and a bounce feature for freeing up tracks as you need them.

Freeze

Another one of AmpliTube's useful features is "effects freeze." It simplifies the application of effects on individual tracks. AmpliTube remembers the signal chain setup per track so you can go back at any time and try a different set of effects on your tracks, just like you would when using a DAW with plug-ins on your Mac or PC. Pretty slick, right?

Track control

The Mixer section gives you everything you need for professional audio production. Each track has:

A level meter with a clipping light that monitors the input signal of the track
An “R” button for selecting the track to record (arm/select on iPhone)
Mute and Solo buttons
An FX button that enables the AmpliTube signal chain on that track
Volume and Pan controls
Send 1 and Send 2 controls for sending the track signal to the master effects section

Master effects

Want to add some polish to your mix? The Master Effects section has been designed to give you everything you need to add that extra punch to your finished works. This section is accessed by touching the "Mast FX" button. There you'll find the Send 1 and Send 2 effects processors.

Each of these allows you to choose from 3 levels of Reverb, 2 levels of Chorus and 3 levels of Delay. Use the “Adjust” button to fine tune the time and depth of the chosen effect’s main parameter. You can also control just how much of the effect shows up in the mix by using the Input, Mix and Output knobs.

Finally, what would a master effects section be without an equalizer? AmpliTube gives you a 3-band parametric EQ that's been specially made to help you bring out the sweetness of your overall mix. Take that, run it through the included compressor for tightness and gain control, and you'll have a finished product that's ready to be heard by your fans.

Meet me at the studio

AmpliTube also has a powerful editing tool: AmpliTube Studio. Its DAW-style interface will be very familair to recording veterans and very intuitive for recording novices. Studio brings precise waveform editing and audio region manipulation to the mobile world. It's an easy, visual way of arranging while on the go that's remeniscent of some of the most powerful desktop music creation tools.

Touching the “STUDIO” button in the bottom control bar accesses AmpliTube Studio. It provides access to a range of features that have been designed to help you achieve sonic perfection. Using it is easy, it's split in two display regions on the screen: The Track Control section is on the left and the waveform timeline grid is on the right. With both in front of you, you also have access to the full signal chain plus effects, recording tools, mixing functions and more.

Track on

The Track Control section houses the controls you need to adjust and tweak the sound on individual tracks. Touch any waveform display on the right — or empty space or track number — to access the individual controls for that track on the left. Knowing where you are at any given time is simple: The number in the upper left hand corner indicates the currently selected track.

You can adjust how much of the track’s signal goes to the master effects section by using the “SEND 1” and “SEND 2” knobs. The master effects section can be accessed by touching the "MASTER" button (this is great for fine tuning). In addition, we've also included a Track EQ section below the Master button that let lets you fine-tune the EQ on each individual track, just like on a professional mixing console.

In addition to these crucial features, you also get a level meter, a peak light, a quick FX Edit button, pan control and a console-style fader for fine volume adjustment on each track.

Catch a waveform

At the core of the studio module is the waveform display section. This is where most of your audio editing will be done. From this section, you can select audio material by touching on the waveform display. This then lets you perform multiple types of edits with ease: cut, copy, copy track, paste, delete region, delete track, normalize volume or split at playhead.

Tap the waveform you want to edit to gain access to the full range of editing commands. These functions provide all the basic tools you need for working with audio regions. You can even move audio forwards and backwards in the timeline by dragging the waveform around on the screen.

Fade & crop

AmpliTube also has a few other great tools destined to make your audio life easier: Fade In, Fade Out and Crop. Creating a fade is as simple as selecting the region you want to fade, and then dragging the triangle in the top left corner right to create a fade-in. The farther from the beginning of the region you drag the triangle, the longer the fade-in becomes. Pretty easy.
Creating a fade-out is done the same way, only go to the upper right corner of the audio region and drag the triangle to the left.

Cropping an audio region is done in a similar fashion. Grab the triangle at the bottom of the region (either left or right, depending on where you want it cropped), and then move it either direction to crop.

Getting around

Navigation in Studio is done with both multi-touch and simple gestures. You can zoom in and out of a region by pinching in or out with two fingers on the screen. Alternatively, to get more screen real estate, you can hide the Track Control section by swiping left on the black handle just to the left of the track 4 indicator number.

AmpliTube Studio and Loop Drummer

At the top of the screen is the navigation bar, and it serves three handy functions: First, it is divided into bars, beats and divisions so you have a reference point in the composition. As you zoom in (by pinching out with two fingers), you’ll notice more gridlines showing up. These are handy for precisely aligning audio material with rhythms and beats.

Second, you can define loop start and end points by dragging a finger from left to right. You’ll notice a green area shows up when you do this. Drag the left triangle to the beginning of your desired loop and the right triangle to the end. Once defined, double tap on the green area to activate it. Then hit play on the transport to begin playback of the loop. The third feature is creating a “punch in” recording area. Drag your finger from right to left in the navigation bar and you'll create a red “Punch in” section. Adjust the start and end points with the triangle handles, and then activate it with a double-tap. You can de-activate loop and punch in regions by double-tapping again.

Just south of the Navigation bar is the “Loop Drummer” track. If you’ve programmed a killer beat using the built-in Loop Drummer feature, it will show up in this track. You can edit your drum sequence in this track by touching and dragging the drum parts around. You can also add more drum parts to the sequence by touching the “DRUMS” button in the bottom nav bar. Then touch and drag out the chosen drum sectio to the desired position in the track. A “double-tap” on a drum part will duplicate it to the right of the original. This makes it super easy to create awesome, professional-sounding rhythm tracks in a snap.

Other individual track features include the ability to solo, mute, record enable and activate the AmpliTube signal chain on a track. You can record audio material directly to a track in the Studio view by using the “PLAY”, “RECORD”, “REWIND” and metronome transport controls at the bottom of the screen. There’s also a “GRID” button that turns “grid-snapping” on and off, plus “UNDO” and “REDO” commands for the human in us all.

Your personal session drummer

Inside AmpliTube, you'll find a powerful loop-based rhythm module called Loop Drummer that lets you quickly create great sounding drum tracks.

Loop Drummer can play on its own or act as the drum section for AmpliTube's built-in recorder. It automatically syncs to the recorder, so when you hit play or record, Loop Drummer plays along in perfect time. But Loop Drummer offers way more than just loops that play over and over, its unique Remix feature intelligently generates full-length drum parts with intros, beats, fills and endings.
Or, if you prefer, you can also use Loop Drummer to build your own patterns. It’s even got its own mix window.

The loops

Loop Drummer comes with a collection of rock loops, but you can expand it easily and inexpensively via in-app purchase. We offer Style Packs that contain 64 loops each, and give you eight different song-construction kits based around a core drumbeat. For each you get all the song parts you’ll need to put an awesome, and full-length drum track together.

The Style Packs come in all major genres including Rock, Blues, Country, Pop, Funk, Punk, Metal, Electro, Jazz, Reggae and more. You can buy them individually or purchase them in pre-selected groups. All told, there are over 1000 loops in the Loop Drummer collection!

Instant drums

Press the Remix button and Loop Drummer will instantly construct a full drum track for you just like a producer would. Each time you press this button, you'll get a different variation. It's a great feature that offers an endless source of inspiration that will take your jam, practice and composition sessions to the next level.

And if you're a "hands-on" kind of musician, don't worry. You can also build drum tracks yourself by auditioning loops in Loop Drummer's browser. Just drag and drop the loops you like onto the timeline. If you want to tweak a part, it's easy. You can your loops, add crashes, tap in new tempos and a whole lot more — it's all just a touch away.

All together now

One of the most impressive features about Loop Drummer is how it works in tandem with AmpliTube’s recorder. Hit play or record on the recorder, and Loop Drummer will plays along in perfect sync. And if you have the multitrack option for the recorder (available as an in-app purchase), you'll have all the tools you need to put together entire productions, including authentic-sounding drum parts.

Another great thing: Loop Drummer’s audio doesn’t take up any tracks on the recorder. It has its own separate audio channel that's combined automatically with the recorder’s output. To adjust the drum level in the mix, all you have to do is adjust Loop Drummer's volume control.

Export options

You can also use your favorite Loop Drummer arrangements in other applications. It's easy: Just press the Export button in Mix Mode to bring up the "Export Sequence" screen. This lets you send you send your sequence to the iOS Clipboard or to the File Sharing app folder (for iTunes File Sharing with your computer).

AmpliTube 4 for iPad, iPhone, iPod touch

How to use Loop Drummer

Loop Drummer’s interface is super simple. Choose a Style and Groove by pressing the arrows near the top and bottom of the screen respectively. Choose loops from the Ring Browser — it’s the circle in the middle of the window with the snare drum in it.

The button outside the ring with the speaker icon is the Preview button. Press it. When it lights, it's activated. Now press any loop in the Ring Browser and it will play.

The Timeline at the bottom of the window is where the loops in the drum sequence go. If you're using the Remix feature, the arrangement will show up there after you press the Remix button (the circular arrows on the upper right of the screen). If you're building the arrangement manually, drag a loop from the browser into the timeline. It will now be a part of your arrangement.

To switch the arrangement of your loops just press, hold and drag. You can also add crashes on the downbeat by highlighting a chosen loop on the timeline. You can set the overall tempo by tapping the tempo button (or you can just enter a value if you want to be precise).

Press the Mix button to access the circular volume control. This also adjusts Loop Drummer’s tempo and functions as a reverb send.

Features

Loop-based drum module that can be opened from inside AmpliTube
1024 loops available in a variety of musical styles
Syncs automatically with AmpliTube recorder
Remix button intelligently generates unique drum sequences from the loops in the Groove
Audio from Loop Drummer appears as a separate audio channel on the AmpiTube recorder
Loops change tempo to match Loop Drummer’s tempo setting

Mixer section allows for independent drum volume adjustment and drum track soloing
Timeline-style arranging of drum parts
Set custom-length looping sections
Export drum sequences to iOS Clipboard or via File Sharing

A truly super looper

Unlock your creativity

Looper is one of the many useful tools available as an add-on for AmpliTube. As its name suggests, it gives you a quick and easy way to create up to 4 synced audio loops. Created a looped-up masterpiece? Looper lets you easily save and export your work. It's the perfect sketchpad for new ideas; it's intuitive interface that's designed for experimentation and self-accompaniment will inspire you to think in an entirely new (and loopy) musical way. Record melodic loops, leads, percussive riffs, vocals, chord progressions and more, all at the touch of a button.

As easy as 1,2,3...4

Using Looper is easy. Just set your preferred BPM and enable the metronome feature. Then tap the "rec" icon on the first loop button. From there it's 4, 3, 2, 1, go! Loop 1 will begin recording automatically, and it wont stop recording until you tap on the button again.

Super sound

And no matter when you tap to end your loop, your loops will always sound good because each loop is quantized to the nearest quarter note. Once closed, Loop 1 will continue to play, setting the stage for you to repeat the process with loops 2 through 4. Just tap the "rec" icon on the second loop to start recording the next layer, and so on. The length of your first loop determines the length of all the loops the follow. Once you've captured your audio, you can mute and un-mute individual loops by simply tapping on the loop you want to silence with your finger. It's really that easy!

Get tricky with MIDI

Want to get tricky while performing live with your loops? That's also a piece of cake: Looper can also be controlled via iRig Stomp I/O and iRig BlueBoard (or any MIDI controller).

That means you can assign each of Looper's loop buttons to a corresponding physical button on a pedal board.

Now you can trigger loops from the floor, leaving your hands for more creative things, like playing your guitar.

Learn your favorite riffs

AmpliTube is also a great tool for improving your chops. It has a slick song player section that lets you import songs and backing tracks. You get full control over these tracks, so you can speed them up or slow them down — all without changing pitch. It’s perfect for when you want to learn complex riffs and licks. It also features a “NO VOICE” mid-range cancelling feature that lets you turn off the lead vocal or guitar solo from an existing track so that you can step up and take center stage.

Why AmpliTube?

Nearly 20 years ago, AmpliTube pioneered single component modeling technology, and was the first company to go beyond the “black-box modeling” approach of electronics. Today, IK Multimedia continues to lead the pack when it comes to model accuracy of all the elements in the complete signal chain with innovative solutions and ultra-accuracy that no other brand can match.

We invented the processes and technologies that produce the most accurate models of gear in the industry, and have been doing it longer than any other company.

The most trusted brand by world-class amps and effects manufacturers

Who do the top manufacturers in the industry trust to make ultra-accurate models of their gear? That’s right, IK Multimedia and AmpliTube. But don’t just take our word for it when we say we offer the best-sounding, most accurate software modeling in the industry. Check out our partner roster of 18 (and growing) of the world’s best amplifier and effects pedal manufacturers who rely on IK Multimedia for accurate digital reproductions of their products. When Fender®, MESA/Boogie®, Orange®, Soldano®, Ampeg®, ENGL® and many more decided to put their name on virtual models of their gear, they chose the best — AmpliTube.

The widest range of tone available - period

With nearly 300 individual gear models available, AmpliTube offers more tonal variety than anything else on the market. We have modeled almost every amp and effect circuit ever produced since the birth of electric guitar and effects pedals.
No matter what type of tone you are aiming for, only AmpliTube has the right gear for it.

“Made in Italy” craftsmanship and heritage

Our approach to creating hyper-realistic models of gear is firmly rooted in the best “Made in Italy” craftsmanship tradition. We don’t simply “look at schematics” and listen to sound samples like other companies. Not only do we acquire the real units by painstakingly searching for the “best specimen of its kind,” but we always approach any new piece of gear as a unique modeling project. From thorough and detailed analysis of the circuit using the most advanced modeling algorithms to hours of A/B sound testing and dedicated audio engineering craftsmanship, our process delivers the “true to the original” best possible sound for your projects.

AmpliTube®, TONEX®, AI Machine Modeling™, ToneNET™, SVX™, X-GEAR™, X-DRIVE™, X-SPACE™, X-TIME™, X-VIBE™, VIR™, DIM™, DSM™, VRM™, are trademarks or registered trademark property of IK Multimedia Production Srl. All rights reserved.
Marshall® and the Marshall logo are registered trademarks of Marshall Amplification Plc. used by permission. MESA/Boogie® is a registered trademark property of MESA/Boogie Limited Corporation. FENDER™ and all FENDER amplifiers, logos, and trade dress are the trademarks of FMIC and used herein under license. All rights reserved. ORANGE® is a registered trademark of Orange Music Electronic Company Ltd. SEYMOUR DUNCAN® is a registered trademark of Carter Duncan Corporation. GROOVE TUBES® is a registered trademark of ROKR Ventures, Inc. GALLIEN-KRUEGER® is a registered trademark of Gallien-Krueger Corporation. JET CITY AMPLIFICATION 333® is a registered trademark property of 333 Enterprises Incorporated DBA Jet City Amplification Corporation. THD® is a registered trademark of THD Electronics Ltd. T-REX ENGINEERING® is a registered trademark of T-Rex Engineering ApS Corporation. CARVIN® is a registered trademark of Carvin Corporation. DR. Z AMPLIFICATION® is a registered trademark of Dr. Z Amps, Inc. FULLTONE® is a registered trademark of Fulltone Musical Products, Inc. Z-VEX® is a registered trademark of property of Zachary Vex. ENGL® is a registered trademark property of Edmund Engl. WAMPLER PEDALS® is a registered trademark property of Wampler Pedals, Inc. MORLEY® is a registered trademark property of Sound Enhancement Products, Inc. LESLIE® is a trademark property of Hammond Organ/Leslie, wholly-owned brand subsidiaries of Suzuki Musical Instruments Mfg., Ltd. of Hamamatsu, Japan, used under license. Jimi Hendrix™ name used under license of Authentic Hendrix, LLC. ©TM Authentic Hendrix, LLC. Dimebag Darrell™ name and likeness used under license of the Estate of Darrell Lance Abbott.
Mac, the Mac logo, the Audio Units logo, iPhone®, iPod touch®, iPad® are trademarks of Apple Computer, Inc., registered in the U.S. and other countries. App Store is a service mark of Apple Inc. Windows and the Windows logo are trademarks or registered trademarks of Microsoft Corporation in the United States and/or other countries. VST is a trademark of Steinberg Media Technologies GmbH. AAX, Avid, the Avid logo, Pro Tools, and RTAS are trademarks or registered trademarks of Avid Technology, Inc. in the U.S. and other countries.
All other product names and images, trademarks and artists names are the property of their respective owners, which are in no way associated or affiliated with IK Multimedia. Product names are used solely for the purpose of identifying the specific products that were studied during IK Multimedia's sound model development and for describing certain types of tones produced with IK Multimedia's digital modeling technology. Use of these names does not imply any cooperation or endorsement.
IK Multimedia disclaims any ownership over content uploaded by users to ToneNET, including but not limited to Tone Models, Presets, and any text or symbols that users upload with their content. IK Multimedia does not endorse or represent any users of ToneNET, and any names, trademarks, or tradenames that users may upload with their content on ToneNET should not be construed as an endorsement, association, or affiliation with IK Multimedia. Users represent and warrant that they own or are licensed to use all intellectual property, including copyrights and trademarks, in any content that they upload. IK Multimedia disclaims that any content uploaded by users is non-infringing. Please see the ToneNET Terms of Use with ways that you can notify us if you believe content on ToneNET infringes your rights.

More info on third party trademarks

ACOUSTIC® is a registered trademark of Guitar Center, Inc.
AKG® is a registered trademark of AKG Acoustics GmbH.
AMPEG® is a trademark of LOUD Technologies, Inc.
ARBITER® FUZZ FACE® is a registered trademark of Arbiter Group Plc.
BEYERDYNAMIC® is a registered trademark of Beyerdynamic GmbH & Co.
BOSS®, DD3™ are trademarks or registered trademarks of Roland Corporation.
CELESTION™ is a trademark of Celestion International Ltd.
DIGITECH WHAMMY™ is a registered trademark of Harman International Industries, Incorporated.
DUNLOP®, SW95™ are trademarks or registered trademarks of Dunlop Manufacturing, Inc.
FOXX® is a registered trademark of Mark Simonsen.
FRIEDMAN® is a registered trademark of David Friedman.
FURMAN® is a registered trademark of Furman Sound, Inc.
ELECTRO-HARMONIX® is a registered trademark of New Sensor Corporation.
ELECTRO-VOICE® is a trademark of Electro-Voice, Inc.
FENDER®, BASSMAN®, DELUXE REVERB®, SUPER REVERB®, STRATOCASTER™ are registered trademarks of Fender Musical Instruments Corporation.
FULLTONE® is a registered trademark property of Fulltone Musical Products, Inc.
FUZZRITE® is a registered trademark of Andy Moseley.
GALLIEN-KRUEGER® is a registered trademark of Gallien-Krueger Corporation.
GROOVE TUBES® VELO-8 is a registered trademark of ROKR Ventures, Inc.
HIWATT® is a registered trademark of 9574565 CANADA INC..
IBANEZ® is a registered trademark of Hoshino Gakki Co. Ltd. Corporation.
JBL® is a registered trademark of JBL Professional.
KAT® is a registered trademark of Knight Audio Technologies Ltd.
LESLIE® is a trademark property of Hammond Organ/Leslie, wholly-owned brand subsidiaries of Suzuki Musical Instruments Mfg., Ltd. of Hamamatsu, Japan.
MAESTRO® FUZZTONE is a registered trademark of Gibson Electronics.
MARSHALL®, 1959 JTM100™ Super Lead, JMP100™, AFD 100™, JCM SLASH 2555SL™, 1960AV™, 1960BV™are registered trademarks and trademarks of Marshall Amplification Plc.
MESA/BOOGIE® and RECTIFIER® are trademarks of Mesa/Boogie Ltd.
MOSRITE® is a registered trademark of Loretta Moseley.
MXR®, Smart Gate®, Blue Box™, CAE MC401™, M134™ are trademarks or registered trademarks of Dunlop Manufacturing, Inc.
NEUMANN® is a registered trademark of Georg Neumann GmbH.
ORANGE® is a registered trademark property of Orange Music Electronic Company Ltd.
PEAVEY® is a registered trademark of Peavey Electronics Corporation.
PRO CO RAT™ is a trademark of ProCo Sound, Inc.
RANDALL® is a registered trademark of Randall Amplifiers a division of U.S. Music Corp.
ROGER MAYER™, Classic Fuzz®, Axis Fuzz®, Octavia®, are trademarks and registered trademarks of Roger Mayer.
ROLAND® is a registered trademark of Roland Corporation.
Rockman® is a registered trademark of Scholz Research & Development, Inc.
ROYER® is a registered trademark of Bulldog Audio, Inc. DBA Royer Labs Corporation.
SEARS® is a registered trademark of Sears Brand, LLC.
SENNHEISER® is a trademark of Sennheiser Electronic Corp.
SHURE® is a registered trademark of Shure Incorporated.
SILVERTONE® is a registered trademark of Samick Music Corporation.
SOLDANO® is a registered trademark property of Synergy Audio, Inc.
SUPRO® is a trademark of Zinky Electronics.
SWR® and Goliath™ are trademarks of SWR Sound Corporation.
THD® BIVALVE is a trademark of THD Electronics Ltd.
TRACE ELLIOT is a registered trademark of Peavey Electronics Corporation.
TUBE SCREAMER® is a registered trademark of Hoshino Gakki Co. Ltd.
UNI-VIBE™ is a trademark of Korg USA Corporation.
UNIVOX™ is a trademark of Korg USA Corporation.
VHT® is a trademark of VHT Amplification, Inc.
VOX®, AC30™ and VOX® WAH V846 are registered trademarks of VOX Amplification Ltd.
5150® is a registered trademark of Edward Van Halen.